Wednesday, October 16, 2013

Pan's Pipes

  For some weeks, writing this blog has steered me into remembrances of times long past.  I guess that's what happens when old geezers get even older—they frequently fall into sepia-toned memories, if they are lucky enough to have memories at all. 

  For example, while writing in [1] about heirloom fruits and vegetables, I found myself in a sentimental reverie about picking wild berries in a summer camp I went to in the 1930s—and wrote about that in [2].  Again, when pondering last week the transition from mythology to historicity in [3], I was nostalgically transported back to the summer of 1962, leading me to describe my stunning experience when I came upon the palace of Agamemnon, where mythology and history intersect.  In turn, describing that brush with antiquity reminded me of a mystical contact I had the same summer with Pan, the ancient Greek god of the wild, of shepherds and of rustic music.  Here's how it happened. 

  For the first time, that summer over fifty years ago, I had both the opportunity and money to travel widely, without any immediate objective.  I was at the beginning of my professorial career at UC Berkeley and still a bachelor—I hadn't yet met Helen.  Since I was to attend a technical conference in Brussels at the end of the summer, I decided to roam Europe and the Near East for two months before it, with no particular itinerary in mind.

  I started in Paris, wanting to renew my two brief stops there ten years previously, en route to and from a summer job in Britain [4].  From Paris, I wandered by car south-easterly in France almost at random, stopping where the spirit took me.  One of those places was Annecy, where I won about $500 at a casino.  Flush with that windfall, I headed to the Côte d'Azur, where I parted with much of my loot by staying at the Hotel Negresco in Nice, a Belle Époque watering spot that was then still singular in its luxury.

  After that touch of indolence, I resumed wandering, crossing northern Italy to Venice, then taking a boat down the Adriatic and through the Corinth Canal to Piraeus, the port of Athens.  The smog and bustle of Athens offended me, so I struck out by car for the Peleponnesus, where I had the startling encounter with the ghost of Agamemnon mentioned above.  Now besotted with antiquity, I decided to go to Rhodes, an island in the Aegean just off the coast of Turkey where most of the cultures of the ancient world intersected.  It is filled with relics of successive invaders, and once was the site of the Colossus, a 100-foot-tall bronze statue that was one of the seven wonders of the ancient world until it was destroyed by an earthquake in the third century BCE.  

  The pull of antiquity led me to drive to the ancient acropolis at Lindos, taking me across a good part of the island.  It was a very hot day, so I stopped at an isolated, rustic taverna to have a bite to eat and a carafe of wine.  That's when it happened.  After eating, I lay down under a tree for a brief doze before driving on.  The combination of the wine and the sun flashing on the fluttering leaves above me must have been hypnotic, for I went into an other-worldly state.  I will swear to this day that I heard the pipes of Pan; I could almost see him.  For the only time in my life I completely knew—at the level of my soul, not in some intellectual rationalization—what it felt like to be possessed by a god.  I understood why the ancients invented so many gods to enrich their existence.  It was mind-bending.  

  That all seems so silly and romantic now, a half century later, that I hesitate to write about it.  Yet it happened, and it brought me infinitely closer to the antiquity on which I was feasting.  I might even say that it is the one truly religious experience I've ever had, although in retrospect I suppose that it was merely psychedelic.  The rest of my summer—further eastward to Israel and then a return to Western Europe and my conference—was anticlimactic.